Deutsche Grammophon (Universal Music)
30.3.2018
BERNSTEIN LEONARD 1953 American Decca Recordings
- Nosič/diel
- 5CD
- Žáner
- Classic
- EAN
- EAN-0028947700029
- Dodacia lehota
- 15 dní
- Cena s DPH
- 22,20€
Detailný popis:
Tracks
CD 1
1: Sinfonie nr. 3 es-dur op. 55 "eroic
2: 2. marcia funebre adagio assai
3: 3. scherzo allegro vivace
4: 4. finale allegro molto
5: Musikalische analysen von leonard b
6: I always feel this gigantism (1. si
7: We have just been examining (1. sin
CD 2
1: Musikalische analysen von leonard b
2: The study of the eroica is a lifeti
3: Sinfonie nr. 9 e-moll op. 95 "aus d
4: 2. largo
5: 3. scherzo molto vivace
6: 4. allegro con fuoco
7: Musikalische analysen von leonard b
8: We come now to the second movement
9: The third movement is a marvel (2.
10: And now the last movement (2. sinfo
11: The final claim (2. sinfonie nr. 9
CD 3
1: Sinfonie nr. 2 c-dur op. 61
2: 2. scherzo allegro vivace
3: 3. adagio espresssivo
4: 4. allegro molto vivace
5: Musikalische analysen von leonard b
6: To my mind, schumann follows in thi
7: Now let's look at the symphony itse
8: And so we have arrived (3. sinfonie
9: In the marvelous scherzo that follo
10: But perhaps the greatest beauty (3.
11: Even in the final movement (3. sinf
CD 4
1: Symphony no.4 in e minor, op.98
2: 2. andante moderato (original versi
3: 3. allegro giocoso - poco meno pres
4: 4. allegro energico e passionato -
5: Musikalische analysen von leonard b
6: Our journey begins without introduc
7: Do you see now what a symphonic the
8: Now think of it - we have so far on
9: Here is that second theme (4. sinfo
10: This brings us to the development s
11: And here we are back home (4. sinfo
12: So we arrive at the coda (4. sinfon
13: Well, we have had a microscopic vie
CD 5
1: Sinfonie nr. 6 h-moll op. 74 "pathe
2: 2. allegro con grazia (original ver
3: 3. allegro molto vivace (original v
4: 4. finale adagio lamentoso - andant
5: Musikalische analysen von leonard b
6: Now the development section erupts
7: Now one would think (5. sinfonie nr
8: Jumping now to the famous third mov
9: Perhaps the most admirable example
10: Now i don't want to give you the im